steering the craft

a writer gives thanks

 

It’s Thanksgiving week here in the US, and I want to take a moment to acknowledge something that too often gets lost in the (cranberry) sauce.

Writers have a lot to be grateful for.

Don’t get me wrong. I know how writers like to complain! I hear your complaints. I complain too sometimes. None of this is easy, and it’s not supposed to be.

Writing is hard. Revisions are hard. Putting our work out into the world is hard. There is a lot of self-doubt, frustration, and long periods of developing our craft, with no guarantees of success. 

There are drafts we labor over that need to be labored over again. There are books we write thinking, "this is the one!" only to realize that “the one” might still be a book or two away. We’re getting closer, but we’re not quite there yet. It all takes longer than we expected. 

Even for the published, there are industry politics and marketplace realities to face. There is...

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whose story is it?

The story of Thanksgiving that I was taught growing up was mostly a bunch of hooey. 

That familiar fiction of friendly Pilgrims and helpful Native Americans getting along feels terrific to tell and hear, if that’s the only story you know. It has no bad guys. It both instructs and inspires. If only we could all be so peaceful, welcoming, and cooperative! 

The problem, of course, is that it’s not the truth. There’s a gut-wrenching history of slaughter and appropriation just outside the margins of the tale that I was taught as a child. 

In terms of writing craft, we’re talking about point of view. Who’s doing the telling? To whom? And, importantly, to what end?

It’s said that history is written by the victors, but serious historians are always challenging the narratives offered by their predecessors. New research and new perspectives can’t change what happened in the past, but they can...

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storytelling is golden

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